Tag: photography

  • Astrophotography Redux – A Local Attempt at Milky Way Photography

    A night sky transitioning from twilight to darkness, featuring stars and silhouettes of pine trees along the horizon.
    Starlight, starbright, first star…..

    August 10th, 2026

    I’ve been planning all summer to get out for a night or two of Milky Way photography again. I really enjoyed the workshop in Arches last spring, and wanted to see if I could improve upon my composition and post-processing skills with a new set of photographs. 

    Unfortunately, I never seemed to be free to travel during the new moon, or I always seemed to be too tired for late evening photography when I was in dark sky locations like Sequoia National Park. The next thing I knew, it was August – I was running out of time. I decided when I returned from Colorado that I was going to find a reasonable place to go on the 10th, which was the exact date for the new moon. The question was….where to go. I wanted to get a reasonably interesting landscape, maybe not as spectacular as Arches, but perhaps with a nice lake or mountains for the foreground. Oh yeah, and I really did not want to drive very far, requiring camping or a long drive back home at 3AM.

    I first headed up US-50 to check out Wrights Lake in the Sierra, hoping the Milky Way would be in a position to reflect off the lake. I also wanted to check out Dark Lake, a short drive north of Wrights, which seemed promising in terms of location. I did this during the day, in case you were wondering – I have an application, PhotoPills, which magically shows the position of planets, stars or the Milky Way, at any location, at any date and time. Pretty amazing. You hold up your phone in the direction you would be photographing from, and the application superimposes for example, the Milky Way as it would appear at that time. You can than swipe to change the time, and see how that astronomical feature would appear. 

    A screenshot of a mobile app displaying a star map with grid lines, indicating celestial coordinates and a visible galaxy section. The date and time are shown at the top of the screen.
    Photophills – band across the middle is the Milky Way

    Wrights Lake is a relatively short drive from where I live – about a 90 minute drive, with the last bit on a rough but paved road. It is a state recreation area – nice place for kayaking and paddleboarding with camping spots and picnic tables which can be reserved ahead of time. I was hoping to find a picnic spot on the north shore of the recreation part of the lake, so that I would have a clear view of the sky looking South. After parking the car, I hiked along the path, trying my best to avoid a picnic group with very large mean looking dogs, and found what appeared to be a good spot to set up my tripod on the 10th. I pulled out my phone, brought up the PhotoPills application and found out that I really needed to be on the East shore of the lake which is all private property. Bummer. 

    A serene lake surrounded by tall pine trees under a clear blue sky.
    Dark Lake – wish I had one of the houses

    I moved on to the other location, Dark Lake, which is a short drive down a very narrow, one lane road. Beautiful spot but almost all of the shoreline is private property. The view would have been very limited from the one spot I could shoot from. Scratch Dark Lake from the list.  I really did not feel like negotiating that road at midnight, and then taking the long road back to the highway. 

    My next, and only other choice was along a road heading up to the Ice House Reservoir, about 14 miles west of where I was. This spot, named the Ice House Observation Point 1, was listed as one of the best dark sky locations in the Sacramento region, and appears to be a favorite for star gazers. It was on the way back home along US-50, but I had nothing better to do the next few days, and saved the excitement for later in the week. I lead a very exciting life these days. I had seen photos of this site and it did not appear to be too photogenic. There was a concrete divider wall at the start of the field, which limited parking, and what looked like a rusted crane in the middle of the field. Meh. The view to the south was not as restricted horizontally as Wrights Lake, but there was still the problem that much of the Milky Way would be blocked. But still, it was better than Wrights Lake. I was not overly thrilled with the limited parking and rusting crane, so I headed down to the second observation point, which for some reason, was indicated as closed on Google Maps. This turned out to be a better choice – a very large, open field, no wall, unlimited space for parking, and no rusting crane. This spot was also a on a small side road, so there would be less road traffic. Bright headlights and long exposure astrophotography do not work well together.

    A serene landscape at dusk featuring a grassy field bordered by tall trees under a pastel sky.
    Point 1 – rusted crane on the left
    A clear sky above a clearing with a sparse grassy area in the foreground, surrounded by tall green pine trees.
    Point 2 – gravel piles, but no crane. No snakes either

    OK, let’s move on and fast forward to the evening of the 10th. Sunset started around 7:30, with full darkness around 9 or so. I planned to get to the observation point by 7:30’ish so I could find a good spot to set the tripod, get my camp chair out, and settle in to wait for the stars to appear.

    A pink car parked on a dirt area with a camera on a tripod in the foreground and a backdrop of tall evergreen trees against a soft sunset sky.
    Twilight…waiting for stars

    As expected, I was the only one there. Cool. Unless a bear shows up. After finding my spot, another car pulled up, and out came four older guys (younger than me), who proceeded to wander off into the bushes, looking for snakes. Seriously. I asked what types and what would they do if they found some. It turns out they are reptile collectors, and used to come up to this site years back, when the highway department maintained a road salt shed on the open space. A funny group of guys….no snakes though, so they went off to search another area. That was the last car I saw that evening until I left. 

    OK, enough blathering about reptiles and salt sheds. I started shooting once the first star appeared to the west, looking towards the glow of Sacramento. Pretty soon, I could make out the Milky Way, and soon after, it was dark enough to make out what appeared to be a bright section, possibly the core. As the sky became completely dark, by 9:45, the sky was beautiful – I did see a few meteors, but I think the Perseids was to the North, and I was focused more on the Milky Way as it moved from SE to SW across the horizon. I did snap a few star photos to the North for the fun of it – the Big Dipper was really clear. I also saw some Starlink satellites pass by to the North as well – never seen them before.

    The chair came in handy in the dark – once I turned off my head lamp, the only light was from the camera screen. Kind of creepy.

    I shot around 60 photos, a low record for me, experimenting with various setting on the camera. Something I never had a chance to during the Arches workshop. I also just sat back in my camp rocking chair and stared at the sky a lot. Very relaxing, and incredibly quiet. It was cool enough to wear a down sweater, so there were no mosquitoes. Or snakes. Or bears. About 11:15, the Milky Way was fading as it neared the glow in the West from Sacramento, so I decided to start the drive home. There were quite a few cars parked at the main observation point – I think I made the right choice. 

    And finally, here’s the best of the batch – it takes a while to edit them. I may add a few more. My expectations had been pretty low for this outing, so I’m not too disappointed in the results. It was good practice, and I enjoyed sitting out in the dark, watching the Milky Way slide by – beats sitting at home alone watching TV.

    Starry night sky with the Milky Way visible above a silhouette of trees.
    Best of the batch – there’s a meteor track in the middle of the Milky Way

    I get one more shot at night photography in September, when I meet some friends at Yosemite Park. I’m getting there a day before my friends, which happens to be the new moon. I intend to head up to Glacier Point, which I believe is one of the best places for night photography. We are staying close to the tunnel view, so I might be able to try that one out as well.

    Two more weeks and I’ll be in Kodiak Alaska. I’d better get back to training. I have to be faster than one person in the group.

    Peace.

  • Street Art and Color Wheels – A Photography Workshop

    Traffic signal with a red light and a yellow pedestrian crossing sign under a clear blue sky

    August 10th, 2026

    !!!!Photography Geek warning!!!

    With all the fancy camera equipment I buy, and thousands of images I’ve collected from my recent world wide adventure travels, I still consider myself to be little better than a novice when it comes to photography. Yeah, I do have some technical knowledge gained through learning how to process film and make prints in a darkroom, and I have been to some workshops and a couple of classes, but I never seem to make the jump to the next level where my work places in competition. It was frustrating to spend 12 days in a place like Iceland, and not have anything worth submitting for nature or landscape competition. But, competition is not the only reason I lug all this gear around….I just enjoy photography as a hobby, and the pictures I take on my trips are a feature of my blog, or wind up printed on acrylics to decorate the rapidly filling wallspace in my home. I may have to look for a new place to live with more wall space.  As I’ve said before, I started blogging to tell stories around my photographs, it’s sort of the reverse now. 

    At any rate, I’m rambling once again. I’m still trying to improve my skills in composition, planning, and post-processing by enrolling in classes and workshops – old dogs can learn new tricks. Bark!  I recently attended a workshop focused on color – “A Photographers Guide to Color Theory”. I’ve had some exposure to color theory from my color darkroom days – you had to play around with the color filters on the enlarger, and wind up wasting a lot of expensive paper and chemicals if you did not know the basics. Now of course, you can use Adobe products to do all of that on your computer. I was hoping this course would be a good refresher, and from the description, maybe explain how you can use the myriad of camera settings to improve on the RAW images rather than having to fix things with Adobe. I also hoped to learn about one aspect I knew nothing about – color temperature, or the Kelvin rating. When I attended the astrophotography workshop in Moab Utah this year, someone asked what Kelvin I was shooting at. Huh? I had no clue, or even how to set that. This would be a good place to learn about that.

    Well, the class did exceed my expectations. The instructor covered all the technical aspects of color – why we see colors, how the primary colors are mixed to generate the color wheel, shades/tints/tones, and yes….color temperature. I now know how to change the Kelvin settings on my camera..and why I would want to do that. Beyond the technical aspects of color theory and photography, the instructor spent more time on the relationships of color, color harmony, and how that impacts photo composition, as well as the impact that mix of colors might have on the viewer (or competition judges). Different mixes can tell a different story, and have unique emotional impacts…how a viewer feels when they see these colors. Warm shades versus cool shades can change a person’s mood. Think about all the color cards you go through when you are buying paint for your house. The color mix in an image can tell a story, and set a mood.

    A color wheel featuring segments of red, orange, yellow, green, blue, purple, with labels for each color.

    We put our new found knowledge to practice once the instructor finished her presentation, by taking a tour of the surrounding neighborhood, looking for murals or interesting color combinations on the older buildings.  It was slim picking at first, hence my photo of the traffic signal (which actually illustrates how three analogous hues, yellow, red and blue make for a nice composition), but we found quite a few murals as we wandered through the alleys. This was basically street photography, something I’ve been interested in learning since I pretty much suck at composition beyond wildlife and landscape photography. Jan was great at that – if she saw something interesting, she would just say – “Sam…take a picture of that”.

    So I’m going to expand my photography horizons and take a workshop in October. Jan would have been pleased although I’m pretty sure she would not be thrilled with all the nature stuff I have hanging on the walls now.

    So, here are a few of the images I captured on our walk about, with a comment or two on color composition.

    Colorful geometric pattern created by triangular shapes on a textured wall against a clear blue sky.

    I walk by this building display every time I go to the Viewpoint center, but never stop to take a closer look. It’s really a well designed  creation of repeating geometric shapes, each an analogous mix of hues (all related). It’s a bit painful to look at , sort of like one of those Escher posters. I like it a lot.

    Close-up of a vibrant eye mural painted on a brick wall, featuring intricate details and purple hues.

    This is a close-up of a full wall mural of a women’s face – I like the texture of the bricks, with the different (triadic) mix of soft hues. 

    Colorful mural of a person with glasses on a building, featuring abstract geometric shapes and vibrant colors.

    The instructor did not like the color mix on this – sort of a haphazard mix, which does not tell a story. I liked the composition.

    A mural featuring a stylized skull with diamond-shaped eyes and a mustache, integrated with a classic barber pole design in red, white, and blue, set against a black background.

    I’m not sure I would want to get my hair cut at this barber shop. This reminded me of the skull displays I’ve seen for Dia de los Muertos. Nice color mix though

    A vibrant mural featuring an abstract composition of eyes and facial features, painted in shades of blue and purple, with sunlight shining above.

    I liked this one – a bit creepy, but the monochromatic blend of blues really works to create the creepiness. 

    Close-up of a painted eye on a brick wall, showcasing intricate details and vibrant colors.
    A brown freight train car with colorful graffiti artwork on the side, surrounded by a chain-link fence and greenery in the background.

    There were too many murals to include in this post, so I’ll stop with these two. Another eye closeup, also monochromatic, and then a train passed by, with most of the cars covered in graffiti. I’m not quite sure where you cross the line from graffiti to street art. This one reminded me of the concrete snow sheds in the Donner Pass tunnels.

    Someone in the group mentioned that there is a guide to all the murals in the Sacramento area, www.wideopenwalls.com, and one of the murals had the QR code for the artists page on that Website. The guide includes a detailed map, so I intend to dedicate a morning in the near future, to do some exploring – I have about 2 weeks to kill before I leave for Kodiak Island, so I might as well do something useful since I’ve been completely packed for over a week. Yeah, I’m that kind of person.  

    And now a segue to a completely unrelated topic. Well, maybe a little bit related given the last paragraph. I mentioned somewhere above about how much I enjoy photography as a hobby, regardless of whether I do well in competition. I’ve found that everything involved with even a one day photo shoot – the planning, preparing the gear, and all the post processing, can lift me from the usual doldrums and depression I get when I’m between trips, sitting around by myself with nothing much to do. You can only pack so many times for a trip that’s a month or two out on the horizon. Add in the time spent on writing a blog post for the activity, prepping for a club competition, or looking for some other related activity and I can keep myself quite busy for some of that down time. The past few days have been a good example – the color workshop was an incentive to look for other street photography classes, and has kept me busy doing post processing on images I captured. I’ve also been planning on one last Milky Way shoot which required checking out a few sites up in the Sierra, and then remembering all the camera settings I need for astrophotography (another post coming soon!). I guess this is a form of escapism, but in a good way. I think I’m turning into Max – most everything I do is digital based. Maybe I’ll watch Tron again tonight. But I’m not letting Max’s dog into the house. I’ll never get him out of the pool.

    A golden retriever swimming in a well-lit pool, holding a red toy in its mouth, surrounded by lush greenery and modern landscaping.

    Peace